Despite not joining the cast until Episode 08, Asuka quickly becomes a pivotal figure in the narrative, both in her own right and in her interactions with Shinji. The complex dynamics of their relationship quickly become very prominent in the show. Most aspects of the relationship, however, remain unspoken or frustrated. Thus it is up to the viewer to piece together their motivations from the unspoken or implied aspects of their actions.
It is often only by looking at the wider details of a scene, such as background conversations or framing that their true feelings are revealed. In many cases the clues to unraveling a scene can only be found in conjunction with other scenes, as well as the larger narrative and thematic context of the show. Finally, it is often the case that important information is transmitted visually rather than through dialog, so examination of screenshots is necessary.
- 1 Are They a Couple?
- 2 Episode 08: Introductions
- 3 Episode 09: Once Again They Must Work Together
- 4 Episode 10: If at first you don't succeed...
- 5 Episode 11: I'm in Charge!
- 6 Episode 12: Rivals and friends
- 7 Episode 14: Jealously
- 8 Episode 15: Is it just a kiss?
- 9 Episode 16: Asuka Surpassed
- 10 Episode 17: Repression
- 11 Episode 18: Cluelessness
- 12 Episode 19 and 20
- 13 Episode 22: A subconscious need
- 14 Episode 23
- 15 Episode 24
- 16 Episode 26
- 17 End of Evangelion
- 18 Notes
- 19 References
Are They a Couple?
There is no clear answer, as their relationship is unlike those traditionally portrayed in this sort of story. As stated above, there is no closure such as them accepting their feelings and acknowledging them to each other and possibly to others as well. However, it is the evidence presented in the show that makes it clear that they are the show's primary relationship. As such, the narrative consistently uses Asuka and Shinji's interactions to expose its themes, as the clashing of two characters that are superficially the opposite but in fact foils to one another, two sides of the same coin that allow the show to explore questions of individuality, intimacy, relationships, self-defense mechanisms, insecurity and many of the themes encompassed in the central metaphor of the show, the Hedgehog's Dilemma.
Throughout the Action Arc and into the beginning of the Descent Arc their interactions follow many conventions of romantic comedy. They have an eventful first meeting, complete with instant dislike and sexual misunderstandings. Circumstances push them into continued proximity, with sexual tension and slowly building mutual acceptance, as Asuka and Shinji both begin to impact one another's development as a character and as a person. Friends see a relationship of which the character's themselves are blind, either teasing or offering advice, however their mutual insecurities keep them from attaining something deeper. For example, this from Episode 17:
The classmates always know first: The pause in the second image before they deny their relationship typically shows that Toji's observation is correct. They are quarreling like a married couple.
Another example would be in Episode 09. Misato has momentarily substituted Rei for Asuka in the synchro-attack training and Rei aces it the first try. After Asuka runs from the room Hikari says to Shinji: "Go after her! You made a girl cry!". On the surface, it's hard to understand exactly how Shinji is responsible. If anyone made Asuka cry it was Misato. Then you realize that Hikari has already figured out that they are a couple, and feels that it is Shinji's responsibility to protect Asuka from this sort of humiliation.
This is also supported in a more subtextual manner via clever use of cuts during important moments to establish a parallel between the Shinji/Asuka relationship and that of Misato and Kaji. In episode 11 both pairs end up in compromising positions. Kaji and Misato can also be seen as relatively positive adult versions of them, that have gone through similar hardships and trauma but mostly overcome them, even though they still carry some scars. This is in contrast to Gendo and Ritsuko's relationship, who also follow similar patterns but are far more negative and escapist, with Gendo very clearly being associated as a Shinji that never got past his issues even into adulthood, particularly in Episode 21. While Shinji and Asuka come to a turning a point (the kiss in Episode 15) but fail to reach out to one another, at the very same time Misato and Kaji are able to rekindle their relationship and enjoy brief, but real intimacy and happiness. Interestingly, their roles are reversed as Asuka is the one that provokes and initiates the kiss, but it is Kaji that kisses a self-castigating Misato. The show does not drop their relationship however, and keeps analyzing what went wrong or right with both, and why.
Having lost their mothers at an early age and the subsequent neglect by their fathers, Asuka and Shinji experienced very similar trauma, but developed opposite defence mechanisms, as they are both too afraid of reaching out to others for fear of receiving the same abandonment they have in the past. Namely, while Shinji runs away from people and isolates himself in order to avoid intimacy and the risk of rejection and to always stay in his comfort zone, Asuka pushes them away from her with arrogance and abrasiveness, trying to cultivate a false image of herself that keeps her from facing reality.
Additionally, they are the only two characters present in the final scene of End of Evangelion, as their interactions there are emblematic of the themes of the story coming full-circle, even if there is no outright conclusion, as where their relationship will go from there is still left open, be it deeper and real friendship, be it as failure, relapse and retrogression, or even anything more including real and loving romance. Nonetheless, the ending also indicates they have gone through a process of growth and change, and that accepting each other was and is part of a better future. Despite its ambiguity, the ending is still very optimistic for them.
This article will also take into consideration some correlation between Asuka's feelings for Shinji and her feelings for Kaji.
Episode 08: Introductions
Marking the appearance of Asuka Soryu Langley, in Neon Genesis Evangelion, episode 8 is mostly used to introduce us to the personality of the German pilot. Set on the battleship carrying her Eva, Asuka meets Shinji, Toji and Kensuke who were brought by Misato to visit. Initially mistaking Toji as the third pilot, Asuka then proceeds to express disappointment at the thought of someone as unremarkable as Shinji having being chosen as one; a very underwhelming first impression. The episode also introduces Kaji Ryoji, Asuka's ex guardian and a man she is shown to have feelings for. It is during an exchange between the two that Asuka learns about Shinji's surprisingly high synchronization, renewing her interest in him and prompting her to show off her superiority as a pilot: with words, at first and eventually in the battle against Gaghiel.
In what is one of the most recognizable moments of the episode, Asuka forces Shinji to join her in her mech (while also forcing him to wear her plugsuit), to fight the angel, in order to further prove to him her skill. Despite the initial issues in reaching an acceptable level of synchronization, it is only thanks to their combined effort that they eventually succeed in winning. Asuka's arrogant, bossy and competitive personality introduced under these circumstances, will prove to be one of the biggest hurdles in their relationship, while, at the same time, their combined victory hints at the potential for them to reach harmony and stability. The duality of their relationship is, as such, introduced from the very first time they meet.
Asuka is Not Impressed
Episode 09: Once Again They Must Work Together
The second episode dedicated nearly in its entirety to the duo. Starting off with Asuka moving to Shinji's school (and eventually his house), the episode focuses on the previously introduced theme of synchronization. We are given some insight on Asuka's school life, thanks to a series of pictures taken by Kensuke. Her familiarity with Shinji is at once apparent as she greets him with a cheery "Guten Morgen!", while she stomps disdainfully on a locker full of love letters from her other male classmates.
The first fight of the episode, against the angel Israfel, turns out to be a quick loss. Asuka and Shinji are employed together, but she proceeds to charge the opponent on her own, forcing Shinji to cover her, with the sole purpose of proving to him and everyone else her superiority. Her rash decision leads them both to a defeat when the angel proves capable of duplicating itself. It is at this point, after the two of them receive an earful from Fuyutsuki, that Misato decides to make them train to reach better synchronization with each other. During a dance session, in front of Hikari, Toji, Kensuke and Rei, meant to make them move in synch, Asuka accuses Shinji of being too slow to keep up with her (though the observant viewer will notice that Shinji actually follows the instructions while Asuka makes some missteps), leading her to get angry at him. Misato comes in Shinji's defense asking Asuka to adapt to him, which she refuses to do, and then replacing her with Rei, in an attempt to poke Asuka's pride and make her compromise. The result is the opposite, though, and Asuka leaves the house angered. Encouraged by his friends, Shinji follows Asuka outside and manages to get her to go back to training. In the scene in question, Asuka expresses to Shinji her determination to succeed as a pilot, while Shinji is shown to look up to her, expressing admiration for her confidence and strong personality. The rest of the training, which had them perform everything together, proceeds smoothly, with the two having seemingly succeded in finding coordination.
The evening before the fight, Asuka and Shinji are left alone at home by Misato. After hinting at them being alone for the night, Asuka, without giving Shinji the opportunity to respond, proceeds to take her futon away from the living room bringing it to Misato's room and shutting the door. She then compares said door to the "unbreakable Walls of Jericho", ordering Shinji not to enter. The scene in question is referenced by the mind-violation sequence in ep.22 (Asuka vs Arael), with the strong implication that Asuka was in need of Shinji's support and help due to feeling lonely and (potentially) anxious for the battle of the next day. Her inability to accept the idea of relying on others, which is at the foundation of Asuka's personality, was what pushed her to shut herself inside Misato's room instead of seeking Shinji's company. The reference to the "Walls of Jericho" (famously destroyed in the battle of Jericho), could be seen as a reference to Asuka needing someone to push through her barriers and truly understand her. During the night Asuka visits the bathroom while half-asleep and then subconsciously lies next to Shinji. Seeing her asleep, Shinji stares stunned at her for a moment before trying to kiss her, only to then be interrupted by Asuka crying and calling for her mother. The obvious purpose of the scene is to express Shinji's attraction for her and to hint at Asuka's loneliness. The battle of the next day proves to be a victory, they succeed in reaching harmony (temporarily). It's worth noting that, during a discussion between the two pilots, Asuka gets Shinji to admit he tried to kiss her, giving her a confirmation of his interest.
Asuka pretends to be fine, leaving Shinji alone in the living room. In truth, she had been feeling lonely and in need of company.
Episode 10: If at first you don't succeed...
The first relevant scene of the episode is Asuka's reaction when Misato lets her know that she won't be able to attend the school trip, as pilots have to be ready for emergencies. Asuka expresses her disappointment and tries to get Shinji to support her point of view but fails to do so, as Shinji seemed to have already accepted that scenario. This is an additional hint of Asuka's need for other people's support. Instead of going on the school trip Asuka, Shinji and Rei spend their time at the swimming pool. Asuka tries to make up for the inconvenience by looking for Shinji's attention, making fun of him for having issues at school (she has already completed university studies) and provoking him with her swimsuit, as she explains to him the basic concept of thermal expansion.
Shinji's reaction isn't particularly amusing for Asuka, as he doesn't quite know what to say and blushes, prompting Asuka to call him a "boring little boy". Worth pointing out is that Asuka was met with indifference by Kaji, when she had tried to impress him, earlier in the episode, with her choice of swimsuit. She then proceeds to call for Shinji's attention again as she dives in the swimming pool. In a way she seems to be having fun. It should be pointed out that Shinji is scared of water and Asuka is likely showing off to him her diving knowledge, to further prove her superiority to him (playfully). In the last part of the episode Asuka volunteers to fight the angel (Sandalphon) in a volcano, winning the confrontation but losing the safety cables that kept her from falling deeper in the lava. It is at that point that Shinji, without hesitation, comes to her rescue in Eva-01, despite it not being fitted with protective equipment, and grabs Eva-02 before it can drift away. At first completely surprised at Shinji's rescue, Asuka quickly gathers herself enough to make a token attempt at keeping up appearances, quietly calling Shinji a "fool" and a "show-off", but her expression plainly shows her true feelings; in spite of herself, she cannot help but tenderly smile at his action, both impressed and grateful. The moment also proves to Asuka her importance to Shinji, making his future failures (to help her) even more frustrating.
Episode 11: I'm in Charge!
Another episode that deals with the theme of cooperation. Asuka, Rei and Shinji find themselves having to deal with a blackout at the base, while having to reach their Eva in order to confront the angel attacking (Matarael). The situation is used to offer us additional insight on Asuka's bossy behavior and reckless attitude, which leads the three the wrong way, and on Asuka's dislike of Rei. Eventually, they reach the headquarters and manage, with a group effort, led (this time successfully) by Asuka, to defeat the angel. In the fight Asuka puts herself in danger, to protect Shinji, returning him the favor from the previous fight. The last scene in the episode sees the three lying on a hill, looking at the city with no lights on and expressing the way they feel. Shinji enjoys it, as it allows him to see the stars, but Asuka finds it unpleasant.
Episode 12: Rivals and friends
In this episode the rivalry between Asuka and Shinji once again finds its way into the story. Shinji is shown to have further made improvements in his sync score and, while still lacking behind than Asuka, he is given all the praise. Asuka sarcastically expresses her envy and resentment for the praise Shinji receives, only to then head home on her own. As Misato is accompanying Shinji home, he expresses to her how he didn't enjoy being praised due to Asuka's angry reaction, showing concern for her. When they are all back, they throw a party for Misato's promotion. Kaji shows up with Ritsuko, which leads Asuka, who had been anticipating his arrival, to have a jealous reaction. This, along with Shinji's improvement as a pilot, act as elements of foreshadowing for painful and negative experiences Asuka will go through in later stages of the story.
The fight of the episode offers the three pilots another opportunity, once again successful, to cooperate. Shortly before being employed Shinji asks Asuka the reason why she pilots. When she learns he had asked Rei the same question, she seems to show a hint of possessiveness, making a pointed comment about how close he and Rei seem to be. She then proceeds to inquire about his reasons to fight. But when Shinji just replies that he doesn't know, she expresses surprise and incredulity at his answer. The last scene of the episode has Misato and the three pilot eating together, in a Ramen stand Asuka had picked for the occasion. It's worth noting that Asuka made that choice so that Rei, who doesn't eat meat, could join them and to let Misato save some money. When Shinji muses to the group about the praise he received from Gendo upon completion of the operation and how it might be his reason for being a pilot, Asuka, again a bit incredulous, makes fun of him for it, believing it to be a stupid reason. In hindsight though, Asuka's reaction can easily be interpreted as her being defensive.
Episode 14: Jealously
Asuka once again expresses envy when Shinji is given more attention than her, as he is testing Rei's Evangelion. In the last scene she is shown to say (in relation to Rei's identity): "Misato and Kaji-san won't tell me anything. Shinji knows nothing". Implication being she had developed a certain curiosity about the First.
Episode 15: Is it just a kiss?
A very important episode for Asuka, completely devoid of any angel fights. The very first scene concerning the girl sets the theme for the episode. She is calling Kaji on the phone but fails to get through to him, forcing her to leave a message. It is interesting to note that, in the message, where she pretends to be stalked by a pervert just to get Kaji to pick up, she shouts for his "help". It is the only time Asuka ever utters the word (excluding the mind-violations). After putting down the phone, she is shown to feel quite depressed and rejected. Hikari then asks her to go on a blind date, which she agrees to. The date proves to be a failure and Asuka dumps the guy because she deems him "boring".
When Asuka gets back home in the evening she walks in on Shinji playing the cello, and she applauds him after he plays the piece to finish, admitting that she is impressed with his performance and the fact he plays an instrument. In his usual self-deprecating manner, Shinji attempts to downplay her praise, telling her that he does not think he has any musical talents and only can do it so well because he has played since he was five years old. Asuka, still impressed, points out that perseverance is still a form of power. As the two are waiting for Misato's return, Asuka asks Shinji to kiss. She assumes a provocative/cold attitude, bringing boredom as the excuse for it. Thanks to the mind-violation sequence (ep.22), we know that boredom was just a small part of it. In truth, she was seeking some love and help from Shinji. It should be remembered that Asuka, at this point in time, is feeling especially rejected and ignored by Kaji and sees in Shinji someone who cares about her; a potential replacement for her ex-guardian. As expected, Shinji agrees to kiss her but, despite Asuka prolonging the exchange for as long as Shinji could breathe, he fails to understand its real meaning and to provide her with the support she needs. As the kiss ends without the affection she was looking for, Asuka (frustrated with Shinji's passivity and cluelessness) runs to the bathroom to hide her pain. Noisily rinsing her mouth and letting him know how bad of an idea it was to kiss him.
This is certainly one of the scenes in which the duality of their relationship is most obvious. Asuka tries to deceive Shinji as to the reason why she kisses him and yet at the same time she hopes, deep down, that he is able to realize her deception and break through her barriers. His acceptance isn't enough; she needs more. Unluckily for Asuka, it is not over.
When Kaji arrives home with Misato, she quickly puts up a smile and tries to get him to spend some time with her. As she gets close to him, she briefly clings his arm, but then she smells Misato's perfume on his jacket and realizes something happened between them. Immediately letting go of him, she freezes up and doesn't even say goodbye. Shinji, who was observing the scene, notices from Asuka's expression that something is wrong and inquires to her well being, only to have her irately blame their kiss as the cause of her pain, before she runs off to her room.
"Why does Asuka want to kiss Shinji? Even assuming she was spiteful of Kaji, one doesn't understand the real underlying motive. After the kiss, Asuka states: "I did it just to kill time." She yells, as if to make Shinji perceive it and to confirm it to herself, as if she wants to hide some embarrassment"
An interesting detail about the events of the episode is that they follow a circular structure. The episode begins with Asuka feeling rejected by Kaji, then bored by the date, not feeling understood by Shinji and ends with her, once again, feeling rejected by Kaji.
Shinji believes Asuka's lie that her kiss was just to relieve boredom, but once again in Ep. 22 we find it meant a lot more.
This is a turning point in the series, in multiple ways. Not only do Shinji and Asuka miss a chance to connect further, they also fail to establish support from one other that they would desperately need as the war with the Angels worsens in subsequent episodes. After this moment and in Episode 16, Evangelion as a whole has a tonal shift, and becomes far darker and more blatantly philosophical and psychological. Being unable to connect to Shinji will be a big contributor in Asuka's ensuing downward spiral as well as Shinji feeling isolated and alone, ultimately leading to him failing to stop Third Impact and entering Instrumentality. Had the kiss been successful, even without romance, it is is entirely possible the entire story would have taken a different turn. Nonetheless, Eva uses this to further examine just what kept both characters from attaining happiness.
Episode 16: Asuka Surpassed
The opening scene of the episode introduces Asuka as being in a very volatile mood. Likely a consequence of her experiences in the previous episode. Starting off with Asuka attacking Shinji for being too quick to apologize, only to then express her jealousy and frustration at Misato when she tries to take Shinji in defense, accusing her of enabling Shinji's bad habits by being too soft on him and only being in a good mood due to being back together with Kaji. The key moment in the episode, concerning Asuka and Shinji's relationship, is her loss to the latter in the synchronization test. Strongly foreshadowed in previous episodes, the impact of said development on their relationship is truly destructive. Asuka starts to resent Shinji's success because, unlike Shinji, Asuka has not only deposited almost her entire self-worth into piloting, she has spent almost her entire life working for it, so Shinji surpassing her in so little time is unearned and unjust in her opinion, as if he did not deserve this success as he has not worked hard enough for it. In a sense, by failing to understand and support Asuka before Episode 16, Shinji also failed to create strong enough foundations to their relationship to prevent it from crumbling under the pressure of the defeated Asuka's resentment. It is important to remember that Asuka's only way to prove to herself her value is by being the best pilot. Taking that away from her forces her to confront herself with all her insecurities. Kaji and Shinji, for different reasons, couldn't offer her an alternative source of support; as such, she receives the full impact of the blow.
In two instances in the episode we see Asuka addressing Shinji sarcastically as Shinji-sama; first, in a burst of anger as she is in the locker room (with Rei) and then during the fight against Leliel. In that instance Asuka provokes Shinji to charge the angel on his own, causing him to get trapped and nearly costing him his life. It's interesting to note that Shinji attacks the angel with the express intention to prove himself to Asuka, and even says "combat is a man's job", a rather offensive statement when all of his teammates and immediate superiors are women, as if he feels emboldened by kissing Asuka. Misato and Ritsuko even notice that Shinji is suddenly acting more manly. Shinji charges headfirst against Leliel and the Angel easily traps and absorbs him, as Asuka and Rei watch helplessly.
After Shinji is absorbed, Asuka tries to mask her concern for Shinji by saying he acted recklessly and deserved it, which angers Rei. Interestingly, Rei picks up on the fact Asuka is envious of Shinji attaining a higher synch score. After Shinji's safe return, she is shown to further express envy for the attention given to him, when Misato hugs him in tears, by saying to her: "Didn't you say you would scold him?".
In spite of that, the episode ends on a somewhat positive note, when Asuka is seen awkwardly lurking in the hallway of the hospital in an attempt to check on Shinji's well being without being noticed. Of course she gets caught, prompting Shinji to laugh for the first time in the series. The clear implication of the scene is that Asuka felt guilty for her over-reaction and that she still cares about Shinji, even though Shinji remains clueless at Asuka's growing frustrations.
Episode 17: Repression
The only relevant scenes in the episode concern Asuka and Shinji, is when Asuka chews him out for failing to bring lunch to school for her, and Shinji meekly making excuses in return, leading them to get accused by Toji of fighting like a married couple, which they both deny.
Later, at the end of the episode, Asuka is seen trying to spend some time with Kaji. As Asuka is outside of Kaji's office she is shown to look sullen and dejected. It's only after she takes a deep breath, takes a moment to focus, and puts on her cutest smile that she enters the room. It is the first time we get a clear look at the way Asuka truly feels in relation to Kaji. While she might have put her mind to pursuing him, her heart is not truly in it, and as such the happiness she shows towards him is, and always has been, to an extent, forced. She tries to be at her best in order to appeal to him, but in truth she feels hurt and rejected. This further reminds us of how important Shinji's role as Kaji's replacement is and how in need of affection and company she is. Asuka's increasing jealousy towards Misato also comes up again, when an absent-minded Kaji tries to wave her off with the excuse that he is busy, and she complains - half to him, half to herself - that he always seem to find the time for Misato, before trying to push him even harder into paying attention to her by aggressively hugging him from behind, despite his outspoken annoyance.
Episode 18: Cluelessness
Another episode that is relatively light on Asuka-Shinji. Asuka is shown to go out of her way to avoid Misato and Shinji, as she clearly has yet to accept having "lost" to them. It is hinted at that Shinji has yet to understand Asuka's jealousy for Kaji, as he is shown to ask Misato why Asuka is trying to avoid her. It is in fact his cluelessness that becomes the main theme of the episode. Though she usually goes home from school with Shinji, this time Asuka is avoiding him, something Hikari also notes as strange. When Hikari asks about him, the second pilot refers to Shinji by saying: "Actually, he's the most dense of them all. And he's an idiot to boot. He doesn't know how to relate to people." She also expresses her annoyance at Shinji having yet to learn the identity of the fourth pilot (Toji). It is interesting to see how, after the kiss, Asuka seems to be even more frustrated by Shinji's density. Further reminding us of the main issue in their relationship; he just doesn't get it and he is too passive to make up for it. When Kaji is in their apartment later, Asuka is surprised to realize that Shinji doesn't know who is the pilot of Unit 03, but stops herself from telling him when he asks. She essentially comes to the same conclusion that Misato made earlier; Shinji will likely be greatly upset from learning the news, and she doesn't feel up to the task of shouldering the ensuring emotional fallout. As a result, she tries to change subjects and to talk about Kaji. Shinji also has a conversation with Kaji, and he tells him about how different men and women are. Shinji is, however, frustrated that he cannot understand them, or other people in general.
Perhaps most pivotal, Asuka learns, while she and the other pilot lies in wait for Bardiel, that Shinji still does not know that Toji is the pilot of Eva-03. Asuka, for what it is worth, finally decides to bite the bullet and attempts to do the thing that everyone around Shinji, including herself, have been trying to avoid for the longest time, namely telling him the truth. But before Asuka can finally break the reveal out loud, Bardiel sneaks in on her while she is distracted, and incapacitate her and Eva-02. The underlying message is quite clear; Asuka and Shinji's inability to communicate openly and honestly with each other is now directly hampering their effectiveness as team members.
Episode 19 and 20
Worthy of note is the fact that Shinji proves once again his superiority too Asuka by defeating Zeruel, who proved too strong for the second pilot, even as Asuka recklessly and impulsively attacks the Angel, trying to prove to herself and others that she is still the best. At the end of the fight Shinji remains stuck inside his Eva. Asuka is shown to suffer deeply after her loss to the boy, being more concerned by her failure than by Shinji's well being.
Episode 22: A subconscious need
Arguably the most important episode of the series for Asuka's character as we are offered an even more intimate exploration of the struggles she is experiencing. The episode opens with a flashback, focused on Asuka and Kaji, before they get to Japan. In it, Asuka confesses her feelings to the man and receives a clear rejection; she is too young for him. She was willing to open up to him, only to be hurt in return. As it was hinted at, in ep.18, Asuka had been feeling rejected from the first moment we see her in the series. Connected to the flashback is the following scene, in which Asuka, at a station, is trying to call Kaji on the phone but fails to get through to him on the phone. As she looks up, she notices Rei and Shinji on another platform, talking (the first time since Shinji's incident), prompting an annoyed reaction: "He spent an entire month dissolved inside Eva and he's already back to his old ways. After all, I lost... and to the likes of you."
Asuka's resentment is clear; she still feels defeated by Shinji, as Misato will also point out later in the episode, and she hates the fact that he was able to go back to his normality so easily. Yet, she may also be feeling a bit jealous of the attention Shinji is giving to Rei, even though Asuka is the one that distanced herself from him, to begin with. Once again the duality of their relationship comes into play to complicate things.
As Misato, Shinji and Asuka are sharing their first dinner together since the incident, Asuka is shown to still feel jealous of Kaji. When they receive a phone call at home, Asuka sulks and refuses to pick it up, suspecting it could be her ex-guardian wanting to talk to Misato (when Misato quietly comments that it is not very likely, it visibly arouses Asuka's curiosity, indicating that she is either oblivious to or in denial (or possibly both) about Kaji's absence and the implications of said absence). It proves to be her stepmother instead. After she is done talking on the phone, Shinji tries to learn more about her family, commenting that it must be nice to have someone to talk to. Asuka, in a rare unguarded moment, earnestly explains to him that her feelings towards her stepmother are mostly ones of indifference, only to stop herself and immediately going back to shouting at him when she realizes what she is doing. The implication here is, once again, Asuka's need for someone to open up to and to confide in. Shinji could be that person, but Asuka can't seem to accept it.
The key moment of the episode is Asuka's mind-violation sequence (during the fight against Arael), as it allows us to take a peek into her subconscious. Asuka's loneliness and need for help and love, is the main focus of the scene. As she receives further confirmation that Kaji is lost to her, she notices Shinji beside her ex-guardian. Forced to come to terms with her feelings for him, she snarls: "Why are you there?! You won't do anything! You never help me! You won't even hold me!".
In Japanese, "to hold [someone]" is a double entendre of "having sex with". In effect, Asuka is not only lamenting that Shinji won't support her and hold her during the kiss, but that he didn't even at least give her affection through sex. It's a parallel with Gendo and Ritsuko. As she states that, we are shown flashes of instances, throughout the series, in which Asuka had been in need of Shinji's support: the "walls of Jericho" and the kiss, being the most relevant. She had been needing Shinji throughout the series, yet, due to his passivity and cluelessness, she never felt understood and supported by him. As such, Asuka has not interpreted Shinji's inaction, particularly during the kiss, as passivity, insecurity or lack of experience, but as outright rejection on his part.
This is outright stated in the Episode 22 Platinum Commentaries:
"And likewise, after the kiss scene from Episode Fifteen, "Lies and Silence," there is a new scene showing her looking frustrated after rinsing her mouth. And from Asuka's dialogue that overlaps these scenes, it becomes clear that she has been looking for help and love from Shinji."
It is important to note that, in the second part of the mind-violation, Asuka denies feeling lonely and reaffirms her independent attitude. The mind-violation doesn't help Asuka better accept herself or Shinji, it simply serves the purpose of allowing the viewer to better understand her.
The last scene of the episode has Shinji try to comfort Asuka, only to be pushed away by her, as she is furious about having been saved by Rei. She is not yet willing to accept his help, not while blinded by her anger. See also the inspiration for the extended Director's Cut mindrape scene in the Notes section.
Episode 22 Flash-Sign Montages
See this page: Theory and Analysis:Film Montage Theory in Evangelion for a complete interpretation of this following piece.
Asuka, during the Episode 22 mindrape, is forced to come to terms with the nature of her relationship with others and society, trying to reject others but eventually having to come to terms with her inability to remain alone.
Shinji, clearly frustrated by his surrogate family rapidly falling apart at the seams, but also feeling powerless to do anything about it, is seen standing outside the door to Asuka's room, noticing that she once again is spending the night at Hikari's house, and quietly wishes that she would come back. It obvious that his wish for Asuka's return at this point is more about having some sense of normalcy restored to the household than anything else.
In a flashback to about one week before the real start of the episode, what can be assumed to be Asuka and Shinji's last conversation in Misato's apartment is shown. Already from the scene transition, which has Asuka audibly slapping Shinji and angrily accusing him of lying, it is clear that their relationship is at its lowest, and they are now completely unable to talk normally to each other. Shinji's equally angry and frustrated reply makes it clear what has happened; he has realized that Kaji is dead and will not be coming back, and has tried to explain this to Asuka who is by now in obvious denial about that fact. Asuka repeats her insistence that Shinji is just lying, but her despondent facial expression betrays that she on some level knows that what he is saying is true. The distress from this revelation has a serious impact on Asuka's already severely weakened psyche and it is what finally pushes her completely over the edge; as the narrative finally cuts to the present, she has been on the run from home for seven days and seen lying in a bathtub in the ruins of a house, obviously physically weakened and completely sapped of the will to live as Section 2 finally finds her.
Later in the episode, as Shinji contemplates his loneliness and isolation from his friends, he lists Asuka amongst the persons he misses and wish he could talk to. Notably, Shinji, by his own admission, has no idea about Asuka's current whereabouts and condition, implying that Misato has by this point not yet divulged the information about Asuka's recovery. What is also notable is that he appears to be at least somewhat oblivious to how deeply he hurt her during their last confrontation. While fighting Kaworu, Shinji also apologizes to Asuka when he is about to hit Unit 02, as he is in a way being forced by Kaworu to fight her by proxy. Despite the growing distance between one another, Shinji does not wish to hurt her, even if Asuka might think otherwise.
The alternate universe shown in this episode makes use of traditional anime school setting tropes, with Asuka presented as Shinji's childhood friend, a setting later recycled in spin-offs such as [Days] and Shinji Ikari Raising Project. Rei, as a transfer student, even plays the role of a romantic rival - something that isn't necessarily the case in the series proper. She even reacts jokingly to Asuka getting defensive over Shinji, which in the old ADV dub gave birth to the famous "are you riding his baloney poney?" line, one of the results of ADV's creative liberties.
This scene even features an easter egg echoing the old shoujo manga Anno likes: one of the desks features a drawing of an umbrella with Asuka and Shinji's names written on them. This "love umbrella" is an old reference to someone being paired up as a couple. It's similar to writing a heart shape with "Asuka+Shinji" inside it. Whose pupil this is written on isn't made obvious, though it also has "anta baka" written underneath, and the umbrella is not only "divided", but it's scribbled all over. There's another "how lewd!" comment, also scribbled over. This could have been made by Touji and/or Kensuke poking fun at the "married couple" as they do early in other episodes, with Asuka taking notice of it and scribbling over it, or Asuka simply drew this herself, only to immediately regret it, and try to erase it, and calling herself an idiot for doing so, in her usual prideful tsundere manner, with her classmates also taking notice later. It's unlikely Shinji did it himself, as he's, of course, shy about expressing his feelings.
End of Evangelion
The first part of the movie opens with Shinji seeking comfort and attention from a hospitalized Asuka, as she is asleep (likely drug-induced) and unable to respond.
Increasingly desperate, Shinji shakes the girl's body, attempting to wake her up, until he inadvertently rips her shirt open and exposes her breasts. It is at this point that all the pent-up frustration and attraction, that the boy felt for Asuka, push him to masturbate right next to her. A rash and violent decision which ends up being the cause of Shinji's temporary breakdown.
It should be noted that, at this point of the story, Shinji perceives Asuka to be the only person whose love could help him recover and feel better, as he admits to her that he is scared of Rei and Misato.
During the later stages of the episode, in her fight against the MPEs, Asuka, who found in her mother's soul the support she needed to recover, makes a comment about Shinji's absence: "Jeez! Don't they ever stop!? And I can't even count on that idiot Shinji!!". Despite the annoyed tone, the remark can be seen as her admission of needing the boy's support in the fight. Likely implying her acceptance and wish to make peace with him and to forget, at least temporarily, about their past issues. Unluckily, her loss is inevitable, as Shinji fails to arrive in time. Shinji repeatedly asks for Asuka to help him, which Misato criticizes him for, and he does not move even when Misato tells him he needs to pilot and to help her, but Shinji, after killing Kaworu, believes that every time he gets in an Eva he only hurts people and causes more pain. As such, he refuses to pilot until Misato dies, but, after spending so much time hiding himself and refusing to move, by the time he arrives in Unit 01's cage the Eva is already enclosed in bakelite. Similarly to how he failed to support Asuka emotionally in the series, Shinji also fails to help her during the MPE fight, causing her to get physically hurt, and this has the ultimate effect of allowing Third Impact to happen. If Shinji was able to get to the Eva early, it is entirely possible he and Asuka could have defeated the MP Evas. When the Eva finally moves to let Shinji in, Shinji finally sees Asuka's mutilated Unit 02. Shinji screams in horror.
An episode rich in Asuka-Shinji content, it also proves to be one of the most difficult to interpret. Taking place, nearly in its entirety, during Instrumentality, it allows Asuka and Shinji to confront each other in a way they never could in the series. Often times it is impossible to determine with certainty if the characters are themselves or just a projection, a limited representation of who they really are. Regardless of this, the four main exchanges between Asuka and Shinji are worthy of individual analysis.
What is, however, worth noticing when it comes to the bigger picture, is that the second and fourth exchanges are essentially twisted retakes of events from the show; respectively, Asuka and Shinji's disastrous kiss from Episode 15, and Shinji confronting Asuka with Kaji's death in Episode 24. What is notable here is that these moments, while not outright unimportant to Shinji in and of themselves, are arguably of much greater and central importance to Asuka's character arc than they are to his. Both events can be summed up as moments where Shinji has inadvertently done profound and deep emotional damage to Asuka. Where the first event started Asuka on her course to towards the edge, the second was by all appearances what finally pushed her over it. What both cases also have in common, is that Shinji was by all means more or less oblivious to the full extend of the harm these moments did to Asuka. Here, however, Asuka is finally able to make it clear just how deeply he has failed her and lets him have it with both barrels.
The first is as brief as it is important to understand Asuka's instinctive and superficial dislike of Shinji throughout the series.
Asuka:"The sight of you makes me so irritated!"
Shinji:"It's because we are similar."
The exchange in question relates to the psychological concept of shadow (one of the terms to appear during Asuka's mind-violation in ep.22). To express it in "technical" terms, the shadow is an "unconscious aspect of the personality which the conscious ego does not identify in itself. Because one tends to reject or remain ignorant of the least desirable aspects of one's personality". Essentially, in Asuka's case, she rejects the part of herself she deems unacceptable in an attempt to maintain a positive image of herself as an independent and mature person. Shinji embodies Asuka's shadow. He represents all that Asuka fears to accept about herself: an insecure person always in need of other people's acceptance and love. As such, clashing with him on a regular basis causes Asuka to shift onto Shinji part of the hatred she feels for herself. To put it in simpler terms: she hates Shinji because she hates herself. The moment she will succeed to accept herself for how she is, she will also finally manage to truly love and accept Shinji. It should be pointed out that, here, Shinji seems to fully understand Asuka, but the awareness he shows is gone in the following interactions.
Visually the exchange also says a lot; Asuka's face is livid with anger and disgust with Shinji, yet they are in a very intimate situation, being naked in a bed together. And what is especially notable is the fact that Asuka is explicitly portrayed as being the dominant part in the situation: she is on top of Shinji and has him effectively pinned down. He is not able get away from her because she refuses to let him go, even in spite of the negative emotions he awakens in her. Also notable is the fact that though the two of them are shown to be together, neither of their faces are shown in the same shot. In cinematography, such a shot reverse shot technique is often used to imply a disconnect between two characters.
Their second exchange tackles Shinji's inability to help and understand Asuka. It re-enacts the lead up to their kiss (from Episode 15), though inter-spliced with Misato rejecting Asuka's request to borrow some of her lavender perfume, and telling her that it is "not for kids", which seems to imply that Asuka's obsession with being seen as mature and adult, at least partially played into her motivation for instigating the kiss.
Regardless, the scene plays out as it originally did, but the kiss itself is then replaced by Asuka's accusations.
Asuka: "It's not like you understand me at all. Don't come near me."
Asuka: "You think you understand me? You think you can help me? Now that's really arrogant! You couldn't possibly understand me."
It essentially translates Asuka's frustration after the kiss into words, expressing the way she feels about Shinji's density. It's interesting to note that Asuka, while angry at Shinji, is not hiding her need to be understood and helped, as opposed to what she did in the real life version of the scene. It is worth adding that Shinji's feelings of sexual frustration is also emphasized here, as several rapid, but still lingering shots from his point of view focuses on Asuka's eyes, lips, cleavage, neck and shoulders, and legs, as she makes her accusations, as if to imply that the more physical side of his attraction to her acts as an additional barrier for their communication, at least for him.
A hopeless Shinji then proceeds to express his exasperation at her.
Shinji: "There's no way I could understand you. Because you don't say anything, Asuka. You never say anything, and you expect me to understand you, when you don't even talk at all? That's impossible!".
This is certainly the most fitting back and forth to express the main issue in their relationship: communication. Shinji believes that, if Asuka does not actively explain him everything she feels, he cannot understand her. He does not understand that people have their own insecurities and emotional needs. Rei also questions him on this:
Rei: Ikari, did you really try to understand?
Shinji sullenly insists that he did, but Asuka immediately throws it in his face, leading to...
The third exchange relates purely to the physical/sexual attraction that exists between the two, not to be mistaken with romantic love. Because Shinji has already been able to access Misato's memories, there is no reason to believe this is not the real Asuka since they are already inside Instrumentality. However, here she no longer has the inhibitions that would prevent her from openly expressing herself in a real-life scenario.
Asuka: "Idiot! I know that I'm your jerk-off fantasy. Go ahead and do it as usual, I'll be here and watch. If you cannot be mine and mine only, I don't even want you."
In the original Japanese, Asuka uses the idiomatic expression "I know you've been using me as a [dish]". In Japanese, "using something as a side dish" is an expression for using something or someone for one's erotic fantasies, but with the underlying implication that the person using the "side dish" is too scared to actually act on their feelings. As such, Asuka might even be implying that Shinji could have had the "real thing" before, but hesitated.
Asuka is shown to express awareness of Shinji's attraction for her, something she had known since the end of ep.9, but likely received further confirmation of, during Instrumentality. An interest which seems, to an extent, reciprocated. That is where the lack of inhibitions comes into play; all the issues Asuka has with Shinji's personality don't seem to affect her interest in him here, as they did throughout the series. The only condition she sets is for him to be hers only, representing Asuka's possessive and jealous nature.
Additionally, Asuka shows that she is not only aware that Shinji has masturbated to her in the hospital, but clearly implies it is in fact a habit of his. That she is still willing to accept this in a sense might indicate how much she also wants his affections, as long as they are committed. In fact, in an earlier EoE script, Shinji would not masturbate in the hospital, but instead in his room, thinking of Asuka with superimposed images of breasts (similar to what Shinji sees when he is asked by Lilith-Rei what he wishes for just before entering Instrumentality) and even his face as he ejaculated. This further reinforces Asuka's implication that this was not only a spur-of-the-moment act.
Asuka is demanding here that Shinji return her attempts at affection, she demands reciprocity, even if she also unwilling to give it back herself. However, Shinji responds...
Shinji: Then, be nice to me...
Asuka/Misato/Rei: We are nice to you.
Shinji: LIARS!! You're all just hiding behind a smile! You just want to keep things ambiguous!
Shinji, at this moment, is too unstable and insecure and reverts to thinking that Asuka, as well as Misato and Rei, should somehow just revolve around him, as he is unwilling to navigate the ambiguity, insecurity and emotional needs of others, a crucial part of human relationships. Rather, Shinji wants things to be clear-cut and easy, and for people to simply exist to serve his needs, without him having to do anything for them himself or to actually earn their affection. This is symbolized most of all with Asuka, who actively refuses to just be his "doll".
Rei: Because the truth hurts us all... Because it's very, very distressing.
Shinji: But ambiguity only makes me insecure.
Rei: That's just an excuse...
It is only by the end of the movie that Shinji starts to realize and accept this.
The last and longest exchange is, in a sense, opposite to the first one. Here it is Asuka to fully comprehend Shinji's nature. In the series she had shown to understand him, but never to such an extent. Taking place in a fake version of their living room (similar to ep.24), Shinji approaches Asuka in an attempt to help her only to be met by her rejection. This scene also directly parallels their kiss in Episode 15. Because Asuka interpreted Shinji's inaction not as simply passivity, insecurity or lack of experience, but instead as outright rejection, she feels clearly hurt about this, which can be heard very clearly in her tone of voice in the original Japanese, which her voice almost breaking. Rejecting Shinji's pleas here, in her mind, also count as payback.
Asuka:"...Stay away from me, because all you do is hurt me."
Once again, she doesn't deny her need for help, but, unlike in their second exchange, she proceeds to turn Shinji's words against him, exposing his real intentions. In truth, Shinji's attempts to help Asuka are simply a selfish way to gain her love and acceptance.
Asuka:"You're scared of both Misato and First, and your mother and father..."
She then proceeds to accuse him of not loving anyone, not even himself. The accusation in question should not be interpreted as an inability to feel but as an inability to translate the feelings to meaningful acts of love. Asuka is unwilling to serve as just Shinji's escape and emotional crutch, and thinks Shinji is unable to return any affections and treat her as a human being. The scene ends with Shinji begging for someone to love him and not leave him alone, only to be met with Asuka's final rejection. Shinji snaps at this, prompting him to strangle her.
One More Final
The final sequence of the movie. Taking place at the end of Instrumentality, it shows Asuka and Shinji lying on a beach, in front of Rei's remains. There is evidence that that Asuka made the conscious decision to live as an individual and returned from Instrumentality, similarly to Shinji, and has even chosen to lay down at his side. As Shinji notices the girl, he moves towards her and begins to strangle her, without a clear reason. The generally accepted interpretation is that he was trying to determine whether she was real or if they were still experiencing Instrumentality. Asuka's reaction comes as a surprise; she caresses him, an act of acceptance meant to symbolize Asuka's growth. Instead of reacting to him with aggression or hostility as she has done many times before, she reacts with compassion, gentleness and affection.
She has finally made a genuine, open effort to reach out to him. Even though it would be possible to just try to punch him or push him off her, to reject him again, she has instead chosen to accept him. In the same way her hatred for Shinji could be seen as misdirected hatred for herself, so is her kindness towards him indicative of self-acceptance. She can finally accept him for who he is, because she can accept herself. This is done echoing the way his mother Yui caressed Shinji just before he returned to the real world. Taken aback by her caress, Shinji begins to cry.
The ambivalence and duality in this scene represent the fact that they are not yet completely healthy and changed, but are beginning to open themselves to this change. The movie leaves open where they will go from there, but even after all the grievous death and destruction throughout the movie, and even though they are still only starting to grow, it still gives them this hope, as long as they pursue it. They are now able to accept one another, and if they are able to grow and change, they can be happy.
For more information, less accepted alternatives and objections, see Shinji and Asuka forum thread.
Some fans believe that the Asuka in Episode 26' is not real, and is instead a fake or a creation of Shinji's mind. However, there is plenty of evidence pointing out that it is indeed her soul inside Instrumentality, much like Misato and Shinji herself. See: List of Common Misconceptions#The Asuka in the Hell Kitchen scene wasn't real
As an interesting aside, Sadamoto also suggested during the conceptualization of Eva that the relationship between Asuka and Shinji would be similar to the relationship between Jean, Nadia's love interest and eventual husband in the earlier Nadia.
In the expanded Director's Cut version of Episode 22, Anno also took inspiration from a 1996 doujin by author Nobi Nobita called Bridal Veil, which depicted an expanded mindrape scene itself. Curiously, while making his own scene, Anno made it clear that Asuka's feelings were directed at Shinji, having supplanted her crush for Kaji. It also adds more lines for Asuka bemoaning Shinji and makes this context even clearer by adding additional past scenes with Asuka and Shinji, like him rescuing her in Episode 10. This isn't made clear in the doujin, wherein it seems ambiguous if she's talking about Shinji or Kaji. This doujin has been translated on Evageeks and a full scanlation is also available on its thread.
Yuko Miyamura describes Asuka in 2007 as "what we now call a tsundere. It's Shinji that she's interested in as a member of the opposite sex, but she cannot really show it.
Hideaki Anno has also written a song that seems to be about their relationship. It was fully produced, but ultimately unused in End of Evangelion, in favor of Komm, süsser Tod. See: Everything You've Ever Dreamed
- Kaji is named from the Japanese word for "rudder", forming a triad with Gendo and Shinji, whose surnames come from the words of other ship components, "anchor" (Ikari) and "sextant" (Rokubungi). See Character Name Origins Not accidentally, Evangelion ANIMA, one of the many spin-offs expanding upon their relationship, features an older Shinji explicitely echoing Kaji, ponytail included.
- Ritsuko's name, incidentally, was borrowed from a girlfriend of series creator Hideaki Anno that introduced him to sci-fi and shojo manga.: In junior high school, Anno had a friend - nowadays, he says, you would call her a girlfriend - named Ritsuko, who had a major impact on his life and introduced him to sci-fi and shojo manga - 2nd June Interview
- Asuka says, "This is the wall of Jericho, never to fall!" of the sliding door that separates the two rooms, but the "Wall of Jericho" is a reference to the Western film It Happened One Night (1934, America). In the movie, a rich runaway girl and an unemployed newspaper reporter end up spending a night in the same room, and they put a blanket as a divider, calling it the "Wall of Jericho." Incidentally, the original "Wall of Jericho" is a castle wall that appears in the Bible. [Note: And it is known for being taken down in the Biblical story, despite being supposedly invincinle. In the film, the girl loses her initial disdain for the reporter and they begin to fall in love. Asuka is, in effect, daring Shinji to take the walls down, a reference lost on him.] Also, she says, "It is proper that boys and girls sleep apart after the age of seven," but the correct proverb is "it is proper that the boys and girls sit apart after the age of seven." This is a saying in the ancient Chinese Confucian text of The Book of Rites, and the seat refers to a straw mat. In ancient China, sitting on the same mat meant that the two were husband and wife. Is it the genius girl's pride that leads her to want to use difficult sayings, even though she's not supposed to be used to Japanese yet? -Platinum Episode Commentaries
- Shinji doesn't make any move to initiate the kiss (notice that Asuka pauses, expecting Shinji to lean in while he simply closes his eyes and waits). He doesn't hold or touch Asuka in any way during the kiss (which Asuka explicitly says she wanted him to do later on in the series), and Shinji makes no attempt to change this even though Asuka is deliberately prolonging the kiss.
- Neon Genesis Evangelion Film Book vol 5, pp. 44–45.
- Episode 22 Platinum Commentaries
- "It is mainly women to develop romantic emotions by writing “Aiai-gasa” marks on notes, diaries, grounds and so on. This has a meaning as a love spell. [...] If a third party knows the feelings of the target person, a third party sometimes teases them by writing “Aiai-gasa” with the subject’s name on the blackboard. However, there are cases in which such chilling leads to bullying." - Article on "love umbrellas"
- It is interesting that Yui waited until Asuka's apparent death to move Eva 01. Some suggest she deliberately chose to let Asuka die in order to get Shinji to enter Instrumentality, though it is debatable if she did this because she wanted Third Impact to happen or merely because she thought there was no way of saving Asuka and at least she would have a chance if her soul was collected by Lilith and brought into Instrumentality. See: Theory and Analysis:Yui's Agenda
- According to Megumi Ogata, Shinji's voice actress, the scene itself was modelled on an experience of a female friend of Anno's. This friend got into an argument with her boyfriend, and at some point he choked her in rage. Instead of reacting violently, this friend felt no fear, hatred or even a need for survival, but rather a desire to caress him tenderly. In response, her boyfriend lost her grip. However, Anno's friend instead grew cold, and muttered Asuka's line from the EoE draft almost verbatim. Ogata believes this scene was how Anno wanted to "convey different ways how to bring feelings of love to a conclusion that exist in reality. You are you, I am I". Naturally, this reflects on the films of individuality and the duality of reaching out to others present in Eva. Anno also guided Ogata to treat OMF partly as a separate story: "as something that just exists. As if everything that happened before in the movie is merely a dream that never happened. It is its own narrative unity, something that can fundamentally be taken away from its context in the movie and still be interpreted as a dramatic whole. It is and is not the final scene of EoE." Furthermore, Ogata asked Anno to help her understand what Anno wanted to convey through the scene and how Shinji is supposed to act. Hearing this, Anno first stands silent and confused for a moment. Then he firmly wraps his arms around himself and hugs himself. This is on the "purpose" of what he is trying to express. As for how Ogata should play Shinji Anno asks her to not play Shinji: " "For this scene alone, I want Ogata to take on and express my feelings rather than Shinji's" - Megumi Ogata, Koji Ide's Evangelion Forever
- Evangelion Cardass Masters "Shinji renounced the world where all hearts had melted into one and accepted each other unconditionally. His desire... to live with 'others' -- other hearts that would sometimes reject him, even deny him. That is why the first thing he did after coming to his senses was to place his hands around Asuka's neck. To feel the existence of an 'other'. To confirm (make sure of) rejection and denial.""In the sea of LCL, Shinji wished for a world with other people. He desired to meet them again, even if it meant he would be hurt and betrayed. And just as he had hoped/wanted, Asuka was present in the new world. Only Asuka was there beside him. The girl who he had hurt, and by whom he had been hurt. But even so, she was the one he had hoped/wished for....""Neither Yui, Rei nor Misato could do as a woman for Shinji. Asuka alone was the only girl on equal footing with him. So, Shinji desired/sought after Asuka. "I'm afraid of Misato and Ayanami." However, Shinji's crude affection only hurt her. In the end, he used her as an object of lust/desire to soothe/ console himself..." - D-88, D-84, P-66, P-68, H-11, full set here
- Ogata actually choking Miyamura for the EoE scenes was clearly consensual, despite rumours to the contrary. MO: I'm delighted that you think I sounded natural as if I was doing ad-libs. I don't remember doing anything experimental. There was a time when I actually pushed Yuko Miyamura to the floor to strangle her during the last scene of the "Evangelion" movie in which Shinji strangles Asuka. I couldn't act very well in playing that scene. I was so agitated that I strangled her too hard, making it impossible for her to say her lines for a while. Of course, I apologized to her for doing that. I almost killed her. - Statements by Evangelion Staff - Megumi Ogata on fandom and choking Yuko Miyamura CF: Did Megumi Ogata (Shinji) really strangle you while recording the voices for the End Of Evangelion to get a realistic performance?YM: Yes, she did. I tried many times to make it sound like I was being strangled, but I couldn’t get it right. So, Megumi Ogata helped me make realistic sounds by actually strangling me. She’s nice isn’t she!? - Gold Coast Film Festival 2010
- 24. Opening of a Dream (Piano – Leave It To Version)Shinji’s independence that he bid farewell to his mother and chose to live in the world of others despite the fact that he would hurt others is portrayed in this song with a somewhat sad piano solo. It is as if it suggested the relationship between the project of EVANGELION and the audiences. - Refrain of Evangelion booklet interview
- "That's the hard part. I don't know how it will turn out yet. I want to make a happy ending, but it's difficult to say what is happy. The movie version is happy in its own way. Humans are nothing when they are born and at the moment of death, so if the process of living is not enjoyable, they cannot live. Shinji had a hard time, but he wanted to live. That's why he's happy." - Sadamoto, Newtype Dec 1997
- "An easily recognizable silhouette is also important, but I designed the characters so that their personalities could be more or less understood at a glance. For example, even the color and length of the hair expresses personality. I thought that Asuka would occupy the position of an "idol" in the Eva world, and that [Asuka and] Shinji should be just like the relationship between Nadia and Jean." -EVA If it weren't for Sadamoto – Redux Translation of interview with Yoshiyuki Sadamoto about designing the series.
- Shinji/Asuka: Colleague-Complicated Feelings;Colleague-Love/HateRei/Shinji: Colleague-Favorable;Kaworu/Shinji: Colleague-Favorable"Proud and assertive, Asuka possessed many strong qualities but lacked the ability to truly control her feelings. [...]It was only after Kaji's death and the Fifteenth Angel's psychological attack that Asuka came to realize Shinji and Kaji both occupied a similar place in her heart. This realization was quite shocking to Asuka, as she had thus far gone out of her way to dismiss and mock Shinji whenever possible.Asuka's default behaviour toward Shinji emphasized mockery and distaste, though she couldn't deny also feeling some semblance of romantic interest toward him. When their synchronicity levels "officially" indicated that Shinji was superior to Asuka in some way, she started suffering a kind of psychological instability and had a hard time dealing with the love/hate she felt for him"By chance, Asuka observed Rei and Shinji sharing a conversation. Asuka felt a very dark emotion welling up inside of her as she watched Shinji enjoying himself in Rei's company.During Instrumentality, Asuka encountered Shinji inside his inner world and told him she didn't need anything if she couldn't have all of him. Despite the significance of this statement, Shinji's response was vague at best and he only sought a place at her side because it was a "comfortable" place to be. Hurt by the notion that she was nothing more than an escape for Shinji, Asuka outright rejected him. As a result, the Human Instrumentality Project did not reach its intended result, and any changes to the relationship between Asuka and Shinji were left unclear."Though Shinji and Asuka are both EVA pilots and living under the same roof、they are polar opposites. Despite their differences、Shinji did feel an attraction to Asuka at certain moments throughout their time together. When Shinji expressed his feelings to Asuka and sought her help during his instrumentality、she outright rejected him. Shinji and Asuka in the new world where the Human Instrumentality Project was not fulfilled Shinji had chosen a world where others existed、and for him Asuka became the first "Other"."Asuka Langley Soryu Piloting EVA-02 was Asuka's way of maintaining her self-respect, and it also served to deepen her confusing love/hate for Shinji. Her repeated failures in combat against the Angels during the war had forced Asuka to face her own weaknesses, and though she did make a comeback during SEELE's forced requisition of NERV headquarters, she fell in battle against the mass-production model EVA units. Immediately after Asuka's defeat, the Human Instrumentality Project was activated, Asuka was the first "other" to exist in the new world that was created when Shinji wished for a world where others existed, and she was found lyin next to Shinji."- The Essential Evangelion Chronicle, Side B
- "Shinji meets Rei in the sea of L.C.L. while Human Instrumentality with Unit 01 as a substitute is in progress. Shinji didn't want a world where his boundaries were gone and he was nowhere else. Shinji's eyes tell that he that he will accept the fear of others, the strength of life that moves forward while being frightened can be seen. When their consciousness returned to reality, Shinji and Asuka lie in a world where Human Instrumentality is incomplete.In the world where Shinji wanted to have others, Asuka became the first stranger, and Shinji reaches out to her [for her neck]. It is difficult to understand Shinji's emotions as he wonders if Asuka is the one who will hurt him or the one who will complement him.Shinji and Asuka stand alone in a space where no one else is around. In her mental world, Shinji was rejected while expressing her feelings to Asuka and asking her for her salvation, but the relationship between the two can/will* change in the new world." - Evangelion Chronicle Vol. 22, alternate translation from the Japanese
- Translator's notes: "The verb kawaru (変わる) means to change. In this passage, we have kawatte (変わって), which means changed. Add iku (いく) and it means changing. Add nodarou (のだろう) means probably. [The relationship] will probably change. The nature of such indefinite change means it is still likely unclear. So those two sentences basically say the same thing (unclear vs will change). The former wording is used in the English translation of the Essential digest version, while the latter is used in the French translation.
- FLASH EX Neon Genesis Evangelion Feature