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Rei Ayanami (綾波 レイ[?], "Ayanami Rei") is a fictional character from the Neon Genesis Evangelion franchise. She is the First Child, First Children in the Japanese version, the pilot of Evangelion Unit-00 and one of the central characters.

At the beginning of the series, little is known about Rei and her stoic personality puzzles her peers. As the series progresses, her personality evolves and she becomes more involved with the people around her, particularly her classmate and fellow Eva pilot Shinji Ikari. In the concluding events of the storyline, the audience learns that Rei's mysterious origins tie into the story's resolution. Her role in this conclusion is not made clear in the TV series, but is one of the principal plot points of The End of Evangelion.

Appearance Edit

Rei has short pale blue hair with bangs centered to the middle and has red eyes. At the beginning of the series, she would wear bandages such as her arm and her eye one. She wears the same school uniform but wears white loafers instead, and black ankle socks.

Her plugsuit is mostly white, with black, red, and dark green accents stylized in most places of her plugsuit. She sometimes wears other plugsuits.

Background Edit

Rei Ayanami OP

Rei Ayanami in the anime opening

No specific information is given about Rei's origin or heritage. Ritsuko Akagi states that Rei was born in a certain room deep in the lower levels of NERV headquarters, but this is all that is explicitly revealed in the series about her creation.[1] The Red Cross Book stated that Rei was created from the "salvaged remains" of Yui Ikari after Yui's absorption into Unit-01 in 2004. The connection between Rei and Yui is implied a few times during the series. Gendo introduces Rei to the NERV staff in 2010 as an "acquaintance's child" whom he is temporarily taking care of. In episode 21, Naoko Akagi says that Rei physically resembles Yui. The character model used in the 2010 scenes is based on development materials in which her age is only 4.

Rei Ayanami Inside Eva

Rei inside Unit-00 Entry plug

Kaworu Nagisa cryptically mentions in their only conversation that she is "the same" as him.[2] This statement was expanded in the director's cut of the episode, in which Kaworu goes on to say that he and Rei are human vessels for the souls of Adam and Lilith, respectively. Later in the episode, she generates an external A.T. Field which is as strong as Kaworu's. In a pseudo-hallucinatory scene in episode 25, Gendo tells Rei that the day of Third Impact is the day for which she was created. In The End of Evangelion, she plays an important role in the Third Impact, although not in the fashion that was intended by Gendo.

Rei is shown spending unknown lengths of time in an LCL-filled tube underneath a structure resembling a giant brain in the Dummy System room, the reasons for which are not revealed. The circular wall of this room is originally depicted as being covered with DNA sequences, but near the end of the series, it is revealed to be an LCL-filled tank in which dozens of soulless clones of Rei are held. The clones are said by Ritsuko to be the cores of the dummy plugs; she also refers to them as "spare parts" and later as "vessels" for Rei. The movie pamphlet and volume 11 of the manga state that she can be replaced entirely, with her soul being transferred to a new clone body every time she dies, although her memory becomes muddled with each transfer. Other supporting evidence in the anime includes her earlier line that "if I die, I can be replaced."
Rei I

Rei I, being introduced to Gehirn personnel by Gendo.

While they are the same character, these different incarnations are commonly referred to as "Rei I," "Rei II," and "Rei III," after episodes and musical pieces with the same names. In episode 23, the controller that Ritsuko uses to destroy the clones lists numbered clones from "Rei 004" and upwards. Rei I was the very first incarnation and was murdered by Naoko Akagi in 2010 (as shown in Episode 21). Rei II is introduced in the first episode and appears in the most episodes of the incarnations. She dies when she sacrifices herself and Unit-00 to destroy Armisael in episode 23. Rei III is seen from the second half of episode 23 through to The End of Evangelion.

In the final episode of Neon Genesis Evangelion, the audience is introduced to a pseudo-hallucinatory alternate reality. Here Rei's personality is completely different, and her behavior is more "normal" (for example, she shows embarrassment and anger when she thinks Shinji looked up her skirt, in stark contrast to her emotionless reaction to the incident with Shinji in Episode 05). The Evangelion spin-off manga Neon Genesis Evangelion: Angelic Days is set in this alternate universe, and its version of Rei is a central character.

In The End of Evangelion, a shining figure of Rei is shown for a few frames looking down at Misato and Ritsuko moments before they die. These spectral images also appear over the corpses of the slain NERV personnel. During Third Impact, multiple Reis appear in the NERV control room, seemingly apparitions created by Lilith. She also briefly watches over Shinji and Asuka in the final scene of the movie.


"Whatever else, she needs to be painted in as a bitterly unhappy young girl with little sense of presence." Hideaki Anno, to Yoshiyuki Sadamoto on Rei's character design[3]

At the start of the series, Rei is socially withdrawn, seemingly emotionless, and rarely interacts with anyone, except for Gendo, to whom she initially displays loyalty but with whom she has a generally distant relationship. She lives by herself in a dull sparsely-furnished apartment in Tokyo-3. Toward the end of the series, Shinji comments that her apartment is very similar to the place where Ritsuko says Rei was born.

"An emotional change causes certain muscles in the face to tense, producing an "expression". Rei is expressionless but is it that she doesn't feel emotion, or that she is merely unable to express it?" Yoshiyuki Sadamoto on Rei [emphasis in original].[4]

Rei smile

Rei's first smile.

As the series progresses, she begins to develop relationships with others and to show moments of genuine emotion,[5] to even become sad and cry.[6] Her English voice actor, Amanda Winn-Lee describes her saying, '"Rei is not totally devoid of personality, otherwise she would not be interesting." There is a small spark of humanity, but it is "clouded by this huge sense of negative self-worth and the realization that she is expendable." The joy of playing Rei is exploring that small spark.'[7] And also said: "I got into a weird mode - I can't describe it. It's a good thing I'm in a little padded room when I'm doing it because that's where she belongs. She knows she's expendable, but the thing is, she's still human so you can't do her totally catatonic."[8]


Rebuild of EvangelionEdit

Main article: Rebuild of Evangelion
Rei Eva-01 (Rebuild)

Rei merges with Unit-01

In Evangelion: 1.0 You Are (Not) Alone, Rei did not show much change from her previous incarnation. The most drastic change was that when Shinji smiled at her after the battle with Ramiel, she did not see a flash of Gendo Ikari. In this version, at least, she is genuinely smiling at Shinji.

In Evangelion: 2.0 You Can (Not) Advance, her character begins to develop further and her relationship with Shinji is shown much more openly than in the original series. She attempts to host a dinner party for her fellow pilots and is shown to work very hard while preparing the food. During the climax, she is devoured along with Unit-00 by Zeruel after her attempt to kill the Angel with N² Missile.

When Unit-01 goes berserk, Shinji is shown forcing his way into the angel and pulling her out and the two embrace each other. At the end of the film, they are both trapped within Unit-01. In the preview at the end of Evangelion 2.22, there are three child Reis and one adult Rei in what appears to be a prison cell alongside Mari. The children appear to have pink eyes as opposed to the purple of the older one.

The Rei that appears in the first two movies does not return in Evangelion 3.0: You Can (Not) Redo, instead being replaced by a clone from the Ayanami Series. This Rei is very different from Rei Ayanami in the two previous movies, as well as the original.

Manga adaptationEdit

Main article: Neon Genesis Evangelion (manga)
Rei in manga

Rei in the manga adaptation.

In the manga adaptation, Rei appears to respond more readily to human contact than her anime version. Shinji's interactions with her are implied as the main reason of her change; by the time of the battle with the Angel Armisael, it is strongly hinted that Rei is in love with Shinji. Shinji reciprocates this affection to some degree, but is unsure of what he feels for Rei and where their relationship is going. In volume 9, he acknowledges that the gap between them has been considerably reduced since they first met; still, he hopes that this gap can be reduced further. Her desire to be recognized as a person, rather than as a "doll," puts her in some awkward, even dangerous situations. At one point, Ritsuko tries to strangle her when she talks back to the doctor.

In the battle against Armisael, when the Angel communicates with Rei, it attempts to make Rei believe that her soul is evil; that she does want Shinji for herself and is angry at Asuka for drawing Shinji's attention away. As in the anime, she self-destructs Unit-00 to destroy the Angel. However, it's hinted that the "new" Rei still has some residual memories as she wonders to herself why she is alive again after returning to her quarters.

Neon Genesis Evangelion -ANIMA-Edit

Rei Trois In Anima

Rei in ANIMA.

In ANIMA, the third Rei from the anime is present. She is also sometimes called "Rei No. Trois" ("trois" being French for "three") and is able to link to the other Reis, Quatre, Cinq and Six, via mental link. This however put a lot of strain on her and therefore, her vital data has to be regularly analyzed by Magi.

Now that she is 17, she more and more resembles Yui Ikari. Because of that, she tries to stay distant with Shinji: she fears that she may become Yui herself. This fear is accentuated by the fact that she lost Gendo when the Instrumentality Project was interrupted.

The second Rei is also mentioned, designated as "No. Deux" ("deux" being French for "two").

Neon Genesis Evangelion: Shinji Ikari Raising ProjectEdit

Main article: Neon Genesis Evangelion: Shinji Ikari Raising Project

In this series, Rei is a distant relative of Shinji's (from Yui's side of the family, in homage to the original). She's the first person the reader sees as she comes to Tokyo-3.

Here, she's portrayed as an intelligent girl (on par with Asuka in the series) and expresses emotions, as opposed to her original counterpart, smiling a few times and even becoming confused when Shinji becomes flustered after she asks him whether she looked good in a swimsuit. She even laughs in one instance at Shinji and Asuka's constant bickering and defended herself with "It just seemed amusing". However, due to her unhappy childhood, she's also somewhat cold to others. In another homage to the series, Shinji again sees her stepping out of the shower naked. This time, however, she smiled coldly at Shinji before slapping him which sent him to the floor.

Later on, her relationship with Shinji gradually warmed, which Asuka felt was a "threat" of sorts. Interestingly, she even invited the boy to shop for a swimsuit with her (for a beach outing), much to his embarrassment and even blushes slightly at the idea of him massaging oil onto her at the beach. She's also the first person shown in this series to wear a plug-suit.

Neon Genesis Evangelion: Angelic DaysEdit

Main article: Neon Genesis Evangelion: Angelic Days

In Angelic Days, Rei is a transfer student to Shinji's school. Her personality is notably very different from her incarnations in the anime, Sadamoto's adaption, and Shinji Ikari Raising Project, and mirrors the one she has in Girlfriend of Steel 2 and the alternate reality from the final episode of the original series. She is an easily excitable extrovert, but socially inept and unaware of everyday social conventions. She takes a liking to Shinji and confides her feelings in Asuka.

Neon Genesis Evangelion: Gakuen DatenrokuEdit

Rei Campus Apocalypse

Rei in Gakuen Datenroku

Main article: Neon Genesis Evangelion: Gakuen Datenroku

This version of Rei, while still distant, seems more expressive than other versions. She is a student at Shinji's school and is apparently his love interest. She leads a secret life, working as a "Shamash Guardian" for a group hidden in the school and dedicated to fighting against Angels. Rei wields the Lance of Longinus in combat. She has shown more emotion than most other versions of the character, such as shock at the discovery of Shinji's powers and boredom while reading a textbook. She is known in her class as being attractive but gloomy, and is also apparently very eccentric. She is very fond of a horse's head mask she had to wear for a Christmas pageant and was quite happy (in contrast to her usual personality) when she was allowed to keep it. In the final volume, Rei is revealed to be a clone of Yui Ikari, meant to take her place in the Tree of Yggdrasil, an artifact that keeps reality from collapsing. After befriending Shinji, she chooses not to go along with Gendo's plans, resulting in him angrily shooting her. In the final chapter, she is revealed to have survived her wounds and is now shown attending school alongside Shinji and Asuka, who have returned to normal lives following Gendo's death and the defeat of the Angels. She gets along with Asuka much better than in other versions, the latter part of Angelic Days notwithstanding.

Petit Eva: Evangelion@SchoolEdit

Main article: Petit Eva: Evangelion@School

In Petit Eva: Evangelion@School, three different versions of Rei exist, and all live together as sisters. The three Rei sisters use a different numbering system. Rei I is the 'normal' Rei, shown in her standard school uniform. Rei II is the 'alternate reality' Rei, from Shinji's imagined world where Rei was a normal girl, shown in a different school uniform. Rei III is the 'child' Rei, basically the first Rei from the normal Evangelion universe prior to her death, who carries various toys and dolls. Rei I's personality is fairly distant, but responds more readily to everyone, especially Shinji. Rei II's personality is very excitable. Rei III is childlike, and cries when she does not get her way or is bullied.

In Other MediaEdit

  • In the 2007 anime Tengen Toppa Gurren-Lagann, Rei, alongside Asuka, as well other female characters from other Gainax works, appear in episode 6, dressed in bunny outfits working in a bathhouse. However, it is revealed by the end of the episode that those girls were instead beastmen in disguise.
    • Other characters include Mahoro from Mahoromatic, Nono, and Lal'c from Diebuster.
  • Rei makes a cameo appearance alongside Asuka, Kaworu and Shinji in the fifth chapter of Marvel's Edge of Spider-Verse storyline.

Character notesEdit

Like many of Evangelion's characters, Ayanami's surname comes from a Japanese WWII naval vessel, first ship of Type II (Ayanami) of the Fubuki class destroyer Ayanami. The exact meaning of the name is intentionally unclear, but is supposedly a reference to the Sailor Moon character Rei Hino.[9] It is also notable that the Japanese word "rei" can mean "zero" ([?]), as well as "spirit/ghost" ([?]),"cool/cold" ([?]), or "actor".

Rei is a kuudere, a general anime trope in which a character does not express emotions, but occasionally shows her caring side.


Frenchy Lunning has described Rei as being Shinji's anima.[10] Rei Ayanami's success as a character, according to Hiroki Azuma, became a catalyst in the anime industry to shift away from storytelling and towards depicting characters with moe-inspiring traits.[11][12] As Rei became a more prominent character among fans, she "changed the rules" governing what people regarded as moe-inspiring. The industry then created many characters which share her traits of pale skin, shortish bluish hair, and a "quiet personality". Azuma regards Ruri Hoshino of Martian Successor Nadesico as being directly influenced by Rei.[13] IGN ranked Rei 10th in "Top 25 Anime Characters of All Time" with writer Chris Mackenzie noting Rei to be one of the most influential characters in anime series, but he still commented that she was different from similar characters since "She's a mystery we never really solve, when you think about it."[14] She had the same place in Mania Entertainment's 10 Iconic Anime Heroines written by Thomas Zoth who commented on the large number of merchandising based on her and that she started "the moe boom in anime."[15] In the survey "friendship" developed by in which people had to choose what anime character they would like to have as a friend, Rei ranked 9th.[16] While reviewing the films Rebuild of Evangelion, writers from Anime News Network commented on Rei; while in the first title, Carlo Santos criticized that Rei's personality is the same as the one from the TV series, Justin Sevakis praised Rei's response to Shinji's kindness.[17][18]

Sadamoto's design of the three female leads created extremely high sales of merchandise. Figurines of a bandaged Rei "were the most popular, outselling all else".[19] Due to her popularity driving sales of merchandise, Rei was called the "Premium Girl" by the media.[20] The June 2010 issue of Newtype Magazine ranked Rei #5 in its monthly top 10 character survey. In a Newtype poll from March 2010, Rei was voted as the most popular female anime character from the 1990s.

See alsoEdit


  1. Episode 23 ("Rei III", March 6, 1996)
  2. Episode 24 ("The Beginning and the End, or 'Knockin' on Heaven's Door'", March 13, 1996)
  3. pg 97 of Fujie 2004
  4. pg 165, afterword, of Neon Genesis Evangelion, volume 3
  5. "It began when the director told me, "It's not that she doesn't have emotion, but that she doesn't know what it is." His technical request was that I should read my lines as flat as possible. But she's obviously not a machine; she's a human being, flesh and blood." It's a huge difference between "not having emotion" and "not knowing emotion." After all, she could develop feelings, once she learned..." Quote from Megumi Hayashibara, in her "What I learned from meeting a girl who didn't know", 1996. Translated in Neon Genesis Evangelion, volume 3
  6. "No; Rei's beauty comes from the truth that she has feelings. When she cried, it meant the waters of the pool were coming out at last. The struggle to draw your feelings forth, the reconciliation between your surface and your death - that, I believe, is where we truly become alive, truly become human begins." Hayashibara, "What I learned from meeting a girl who didn't know." Ibid.
  7. Meet the Voice of AD Vision: Amanda Winn from
  9. Evangelion character names; Translation of essay by Hideaki Anno about character name origins; includes a link to the original essay in Japanese.
  10. Lunning, Frenchy (2006) "Between the Child and the Mecha" Mechademia 2 p.281
  11. ejcjs - Moe and the Potential of Fantasy in Post-Millennial Japan from
  12. Azuma, Hiroki. (2007) "The Animalization of Otaku Culture" Mechademia 2 175-188.
  13. Azuma, Hiroki. (2009) Otaku: Japan's Database Animals. Minneapolis: University of Minnesota Press pp. 48-52
  14. Top 25 Anime Characters of All Time from IGN.
  15. 10 Iconic Anime Heroines from Mania Entertainment.
  16. Which Anime Character Do You Wish You Could Be Friends With? from Anime News Network.
  17. Evangelion: 1.0.1 You Are [Not] Alone (dub version) from Anime News Network.
  18. Evangelion: 2.0 You Can [Not] Advance from Anime News Network.
  19. "The release in October 1995 of Neon Genesis Evangelion on Japanese TV ignited a boom in merchandise unprecedented in a country already awash with such goods. As if overnight, well over 600 different items were made to commemorate the event. Figures were the most popular, with the inimitable bandaged Rei outselling all else. The Eva girls, kitted out in swimwear and striking suggestive poses, were, overall, a huge success, and things went a bit too far…" pg 126 of Fujie 2004. See also: "Arguably, it is because of Anno's dictates on design that few Evangelion toys were initially made. But figures of Rei, in all her bandaged beauty, sold like wild fire. This is probably the first and only example of an animated [mecha] series where reproductions of the human characters outsold those of the robots." pg 98.
  20. "Rei's popularity soared in Japan, with books featuring her image on the cover selling like hot cakes. She was christened by the media, "The girl who manipulates magazine sales at will", "The fastest route to the sold-out sign!" And even, "The Premium Girl."" pg 39 of Fujie 2004
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